To cut a long story short, these new glasses from Eisch are simply no match for standard whisky glasses. Unfortunately, the aromas barely reach the nose; the mouthfeel is good, however, the flavour is restrained, and the price is sobering.
This Daftmill bottling is yet another exclusive release for Luvians. I visited one of their shops in St Andrews – very friendly people, and very helpful with online orders. And this bottling is a real hit.
Nose: Warm vanilla sauce, vanilla custard still warm, white chocolate coating just before melting point, popcorn at the cinema, open-air, summer night, a fair nearby, endless candyfloss, a candyfloss revolution. Sweaty people rushing from A to B to buy more sweets and try out the machines. Candy apples. Freshly baked cake, something with apples. A hint of banana, if my senses aren’t deceiving me, coconut milk and Raffaello. In a bar in St Andrews, The Keys, loud, loud golfers, sporty young people, laughing, chatting, drinking beer.
Palate: Black tea with a little rock sugar and milk, just as the East Frisians drink it. Unripe apples, herbs like lovage? No, sage? No, perhaps verbena. A few bitter almonds, yet marzipan-like. A hint of rancid walnut lingers in the mouth.
Finish: Light woody notes, some tannins, espresso and dark chocolate. Tonka beans. Long-lasting. After a while, crushed orange seeds linger. I don’t like golf and golfers, but
“Bitterness is venom that consumes its host.” ― Matshona Dhliwayo. So St Andrews wasn’t so bad after all.
91/91/90

Right, you shouldn’t expect an in-your-face peatiness – and indeed, how is that supposed to happen, after 20 years of full maturation, it’s clear that some expectations haven’t been met. But if you’re open to integrated peaty notes that lead to astonishing complexity: voilà.
Nose (3h): Crème brûlée, caramelised with plenty of birch wood, incense sticks in the distance, with vanilla notes but also a dying fire, a camp just broken up, like in a Western; speaking of which: a hint of horse manure, stables and sweat, an old saddle. A few caramel sweets, but little sweetness overall. Green apples and freshly mown grass.Palate: Sweetened black tea, a hint of ashtray, burnt sugar, but no molasses, nor rum or cream sweets, rather apple pie left in the oven too long, darkly browned crumble. Nut butter.
Finish: Black tea on the finish, slightly sweetened, a touch of pepper, medium length, campfire ash eaten with bread on a stick, burnt dough, no more bread, too charred. Water? Hmm, becomes drier, dustier, woodier. “Occasionally, you might enjoy the luxury of an unexpressed thought.” ― Everett Dirksen
88/88/87

Blended live from the legend. Frankly, I didn’t expect this result, tbh; tbh, I don’t even know what I was expecting – probably the usual when you drink a blended malt. This diversity, richness and sweetness – amazing.
Nose (2h): Juicy, sweet red apples, perfectly ripe – Baya Marisa or Red Delicious. A hint of fizzy cola, banana, strawberry, apricots, but also other sweets: fruit and caramel sweets, churros with dulce de leche, light grilled notes, faded and forgotten.Palate: Bold. Not shy. Confident. Blending ergo sum. Ashtray, forgotten cigarette butt in the mouth, burnt out, accidentally taken a drag on it. A hint of candied ginger. Stale apple juice, oily, peppery. Coffee, too weak not to go.
Finish: Surprisingly long, campfire, warming, becoming slightly dry. A hint of the cigarette has made its way down the throat. Peppercorns triumph, a few grains of salt applaud. After a while, existentialist tannins from the previous day make themselves felt and ask about the meaning of life. Be careful with water, it kills the meaning a little. “The literal meaning of life is whatever you’re doing that prevents you from killing yourself.” ― Albert Camus
90/89/90